Showing posts with label Adult Swim. Show all posts
Showing posts with label Adult Swim. Show all posts

Sunday, August 24, 2008

Moribito: As it happened

We watched episode one of Moribito on Adult Swim earlier tonight. What did we think? Read and wonder no more:

[01:31:21] neoplatonic: based on a novel?!
[01:31:23] mrLang: Oh-uh.
[01:31:30] mrLang: This intro isn't making me feel good.
[01:31:37] * neoplatonic smacks you
[01:31:52] neoplatonic: that's for this intro
[01:31:57] mrLang: Are you going to shine on me?
[01:32:17] neoplatonic: is this like "spirited away," but not?
[01:32:25] mrLang: No idea.
[01:32:32] mrLang: I know nothing about this.
[01:32:58] neoplatonic: the animation isn't bad
[01:33:04] neoplatonic: but she's wearing too many clothes
[01:33:09] mrLang: I looked it up on Wikipedia when I first found out it was airing on [as]. It only confirmed that it was in fact an anime.
[01:33:21] neoplatonic: even the japanese don't know
[01:33:41] neoplatonic: "this is a shithole of a village. i hate it"
[01:33:44] mrLang: How do you want to start off your anime? "Calm and peaceful."
[01:34:06] mrLang: "My spear needs a lift."
[01:34:27] neoplatonic: stop talking
[01:34:42] neoplatonic: 30? she's practically dead
[01:35:35] mrLang: That cow hates that someone isn't bowing.
[01:37:17] neoplatonic: "I hate kids!"
[01:38:32] neoplatonic: i'm glad that something kinda happened
[01:38:42] mrLang: Is it too early to ask, "What the fuck?"
[01:39:13] neoplatonic: no
[01:39:14] mrLang: "I'll send my giant teeth."
[01:39:19] neoplatonic: in fact, it's too late
[01:40:32] neoplatonic: uh oh
[01:41:13] neoplatonic: if you're going to fight a spear with some swords you better be fast
[01:41:42] mrLang: Wh... What? Was that an act break?
[01:41:50] mrLang: Did something important just happen?
[01:42:16] neoplatonic: her spear still needs a tune up
[01:42:48] mrLang: Where do you want the A-B break in you anime? "Uh... there?"
[01:45:21] mrLang: Was that San Francisco?
[01:45:31] neoplatonic: was she almost naked?
[01:45:50] mrLang: Not really.
[01:46:11] neoplatonic: kill someone already
[01:46:54] neoplatonic: *wink*
[01:47:01] mrLang: The queen wuvs her.
[01:47:09] neoplatonic: that's like my bedroom
[01:47:20] mrLang: Dark and empty?
[01:47:50] neoplatonic: shut up!
[01:48:03] mrLang: OUTLANDER!
[01:48:28] neoplatonic: there can be only one
[01:49:11] mrLang: That knot on her outfit makes me think she's about to join the marching band.
[01:50:41] neoplatonic: sounds like the prince has bad luck, not that assassins are after him
[01:50:51] mrLang: The assassins sent a cow?
[01:51:58] neoplatonic: oh great the prince is an ass
[01:52:11] mrLang: Name five princes who aren't.
[01:52:43] neoplatonic: erm
[01:54:04] neoplatonic: "sorry. all i have is a few diamonds on me"
[01:54:44] neoplatonic: kill them all!
[01:54:58] neoplatonic: KILL THEM!
[01:56:15] mrLang: "See ya'!"
[01:56:42] mrLang: Gee, I'm all excited for episode 2.
[01:56:50] neoplatonic: the prince is a terrible person. he counts as -4 lives
[01:56:51] mrLang: I hope nothing happens again.

Tuesday, May 6, 2008

Code Geass - Lelouch of the Rebellion: Stage 1

The sound of locusts, a girl with green hair, sunflowers, young boys with giant eyes... I'm unconvinced it's anime until I see the giant robots. Two boys climb a small hill out in the middle of nowhere, and so far, there's only the sound of locusts. But as they get to the top, the soundtrack jumps to attention, and they both look towards the camera, surprised at the ominous music.

"2010 a.t.b., August 10th. The New Britannia Empire declared war on Japan." Okay. Evidently, them Englishes took over the entire world, except for most of Asia. The map we're shown has the Britannia attack leaving the US. Either someone was as bad at geography as I am, or there is no United States. At this point, I'm pretty okay with either option. During the attack on Japan, Britannia breaks out their 'Mobile Humanoid Armor Vehicles,' or "Nightmares." We've hit anime! With the Nightmares, the British Empire easily takes over Japan, which has 'its freedom, rights, and name taken away." That's right, just to make sure Japan knows it's been utterly defeated, the Empire takes away the name "Japan," and instead calls the whole country, Area 11. One of the boys from a minute ago is sitting by an army vehicle, while dead bodies are set ablaze nearby. The other boy, a purple-eyed fellow, stands up and says, "Suzaku, I'm going to destroy Britannia!" So, a minute and a half in, Japan has been taken over by tea-drinking, robot-wearing fops; a pile of bodies has been set on fire; and a young boy has set out on a life of revenge. Not that it stops the show from having a typical anime opening theme song that sounds cheery and upbeat, but is probably about isolation and suicide and dead puppies.

It's now seven years after the war, or 'freedoming,' and we're in the Britannia Suburb of Tokyo City. It's very shiny. A flying police thingie chases after a truck. Inside a nearby building, a TV reporter shows us images of a terrorist bombing from the week before. We pan out to see two men playing chess. A chess clock beeps, and one of the players, a scared, old man, is about to explode. He's playing against a noble who is calmly filing his nails. The old man's 'substitute' arrives through the door behind him, only to find it's a student. A purple-eyed student, in fact. "Lelouch Lamperouge," is his name. I hear he's of some rebellion. Lelouch's buddy, Rival, looks at the chess board, and exclaims that there's no way to win. I guess they aren't starting over. There's some banter to show how cocky Lelouch is, then he sits down and makes his first move with his king. The noble laughs, Lelouch smiles, and we're whisked away to a school to see girls talking about their "Lulu-chan." They think he's smart, stupid, and cute. The animators quickly get bored, and take us back to the stolen truck. But after a few seconds where we learn nothing, we get back to Lelouch, just as he's beaten the noble at exciting chess. Rival and Lulu leave the noble's place to see a public address by His Majesty Clovis, the Third Prince of the Britannian Empire, starting on the giant TV that just happens to be on the building across the street. He pretends to be heartbroken over the fighting and terrorist attacks. Blah, blah. Rival and Lulu chat about not crying over the dead, with Lelouch shoe-horning in the line, "No matter how hard you stretch, the world won't change." A slam against yoga, I'm pretty sure.

A camera shuts off, and Clovis walks down from where he gave his speech to rejoin a flippin' party. Very heartbroken. A military dude walks in to give Clovis some information. We don't hear what it is, but it pisses Clovis off. Military Dude tells him, "We've told the police that it was just some medical equipment." So, it's probably not. Clovis orders in some troops and alerts the Nightmares. A few horribly skinny people hop into their robots, and start them up with their ignition USB sticks by Lexar.

Rival and Lelouch are heading back to school in Rival's sort of femmy motorcycle - Lulu in the bitch seat - and talk more about chess. Rival is curious as to why Lelouch started by moving the king. "If the King doesn't move, then his subjects won't follow," Lulu says while reading. The stolen truck comes up behind them too quickly, and veers off into an abandoned building. The two stop to check it out, and Lelouch sees a green mist leak out from the top of the truck. Lelouch sees a crowd form to take pictures with their phones and talk about how someone should help the drivers. Seeing that they're just going to talk about helping, Lelouch runs in to help by himself. A woman with her cell phone out even asks if someone 'could at least call the cops.' Take THAT, modern society! The drivers are fine, but Lelouch can't get to them through the rubble, so he has to climb onto the back. He calls out to them, but the animation shimmers and all he hears is a disembodied voice say, "I found him." As he looks around to investigate the new voice, the truck starts back up, and Lelouch falls inside. The flying military thingies open fire on the truck, prompting one of the drivers to remove her hat. In the back of the truck, Lelouch is stuck with a big contraption that sort of looks like a giant, robotic Easter egg. He's about to pull out his phone to call for help, when the female driver, Karen (or "Kallen" as she's even called in the American dubbed version), walks in and over to a step ladder.

Somewhere, Rival is looking for Lelouch.

Just as the military is about to open fire again, a "smash hawk" flies out and blows up one of the flying thingies. It's basically a big rope dart, but it was shot out of the Nightmare that was hidden in the back of the truck. Karen blows up another flying thingie, just as the Britannian Nightmares arrive. They're using the Sutherland model of killer robot, while Karen is using a piddly Glasglow. Karen's Glasglow loses an arm during her retreat. It's looking bad for the terrorists (aw), but Lelouch got himself a transmitter (yay).

A doctorly-looking guy with purply/grey hair is talking to Military Dude about how they lost something secret to the terrorists. Military Dude is ready to pay off Doctorly for keeping quiet, but it turns out he's there to help. But it'd be nice if they told Doctorly what was stolen. He tells him and Woman Behind Doctorly that it was some poison gas. Of course, he tells them this in a voice-over while we see Lelouch sitting right next to the container.

Break.

The military sends out orders to infantrymen to find the container, but not try to retrieve it themselves. Then they bitch at them cause they're all Elevens looking for Britannian citizenship. Lousy Elevens. The other driver has been hurt, but is still trying to drive. And does so, right into a hole. He opens the back of the truck, revealing Lelouch and the container to an infantryman, who quickly jumps inside. After a quick fight, the infantryman is revealed to be Suzaku from the opening. Evidently, Suzaku is Japanese, working for the Empire, and Lelouch is Britannian, looking like a terrorist. They try to figure out why anything's anything, but don't get far. The container opens itself. Suzaku throws Lelouch to the floor, covering his mouth from the gas he expects to bellow out. However, inside is just the green haired girl we briefly saw in the opening. Lelouch tries to help the girl, but the military bursts in to call Suzaku a monkey then order him to kill Lelouch. He refuses, saying he can't shoot a civilian, and is promptly shot in the back by the commanding officer. As the rest of the military officers close in on Lelouch, the driver reaches for a switch that blows up the front of the truck. Nobody's happy about this. Especially Clovis, who orders the Shinjuku Ghetto destroyed. Nobody can know about... the girl? How badly they all just fucked up? At least one of those. More Nightmares are released, and they start to open fire on anyone they see. Soldiers go door-to-door, murdering people.

Lelouch sort of freaks out. Rightly so. Doctorly complains that since the 'gas' was already released, there's no use for his "Lancelot" and is bummed they don't get to collect data on it. Lelouch is trying to help the green-haired girl out, but runs into the military shooting children. Before he can give a flowery monologue, his phone rings, giving away his position. The man in charge of the local murdering goes to shoot Lulu, but the green-haired girl yells out and runs in front of the bullet, getting shot in the head. Lulu gets shaky anime eyed over the girl's body, and before he can get shot or fully go insane, she grabs his arm. During a vision of some sort, filled with production art, she offers him a contract; "In return for power, I want you to grant one of my wishes. If you agree to the contract, you will live as a human, but differ from other humans. A different source, a different time, a different life. The power of the King will make you isolated." Either as a part of the vision or as a cutaway, a man with his back to the audience says, "The union of Ragnarok." Lelouch binds the contract, stands up over the still dead girl, and addresses the military, a hand over his left eye. "Aren't you going to shoot? Or have you realized it? That those who are allowed to shoot are only those who are prepared to shoot?" He removes his hand to reveal his eye has changed, and grown more anime-like.

The guy in charge shakes, unable to shoot. "Lelouch orders those of Britannia, you guys... to die." The reply from each man is "Yes, Your Highness!" They each put their gun to their own head, and fire. Lelouch takes a moment to pontificate about how stuff sucks. But now, he has power. And he smiles over the bodies.

Welcome to the show.

Monday, March 24, 2008

Blood+ Finale on Adult Swim

This weekend [AS] reached the end of a long, tortuous road: Blood+ reached its fiftieth, and final, episode, and no one cared. Maybe someone liked this show; maybe they cried a little bit at the very end; maybe that person and I could get along and be friends, but I somehow doubt that.

This was, quite simply, a horrible series. So horrible, in fact, that “horrible” is quite frankly too weak a word to use. An atrocious series. An abominable achievement. An abortion of animation. It’s that bad. A storyline that could have comfortably fit 20 episodes was stretched into a bloated 50. The characters were nothing more than cardboard cutout stereotypes. In some episodes, the dialogue seemed to consist of every other line being “SAYA!” The plot, oh the plot. Where did it ever make any sense? The animation wasn’t very good, either. Awful, just awful.

I don’t know what was worse: that thousands of man-hours were dedicated to creating this monument of crapulence, or that I watched most of the episodes, thus letting go of tiny little slices of my life that I could been using to—I don’t know—drink beer or sleep. I’ve been trying to recall some of the better moments of the show, so that I can at least point to one moment or two and say, “Well, maybe this one scene validated all of that,” but I just can’t.

All I can think of was the one episode, maybe 32, where Diva invaded the crew’s cruise liner so that she could molest Riku. However, the scene, the idea—much like they very concept and execution of this entire series—turned out vulgar and crass, instead of achieving the haunting sublimity that we wanted so much.

Saturday, March 1, 2008

Screw It: Random Recap #1

Due to a vague hardware issue, I cannot play the anime series I've been reviewing. I was going to recap episode two of Kitaro, or any of the other series I've been neglecting, but instead, will have to stick my hand into the Mystery Box of Anime and see what shows or movies I have laying around to talk about. So... let's see...

Ah, Cowboy Bebop. One of the first anime series that introduced me to what good anime could be. Up until I caught an episode of this series on Adult Swim, I equated all anime with seizure-inducing, way-too-fucking-peppy cartoons badly dubbed into English. And it seems that Cowboy Bebop was the gateway-anime for a lot of fans. I won't bother with a lot of character descriptions or backstory since, if you're reading this site, you most likely know these characters well. So, let's jump right in.

Cowboy Bebop: Episode 20 ("Pierrot le Fou")

The episode starts out with the shadow of a fat man in a tall top hat against a building. A POV shot flies us up and over the building, while the sound of a cape flapping in the wind plays in the background. A set of legs and a cane fly through the air over 'The City,' as two security agents step out of a car. As the agents help an important-looking man out of a building, the formerly flying man walks down the alley towards them before gliding several feet closer. The agents ready their guns and the man shows his face. "I have come here to take your lives," he tells them.

Titlecard.

Spike plays pool in a dimly lit hall. He wins, of course, and the unnamed man playing with him walks away without a word. Spike lights a cigarette outside and happens upon the fat man entering bullet upon bullet into the security agents, the important-looking man, and the car, using his cane-gun. Spike looks unimpressed. That is, until the man twirls his cane-gun, turns around, and greets Spike in a low voice. Spike dives behind a trashcan as the Penguin-looking fat man unloads a few shots. He fires off some shots, two of them hitting Non-Penguin in the chest, however they bounce off of a green field of some kind. Non-Penguin laughs and grits his teeth, making a sound that makes me uncomfortable. Non-Penguin hovers into the air and comes at Spike. If you've never seen this episode, this is the moment that Non-Penguin (Pierrot) becomes one of your favorite badguys. The dude's fucking creepy. The two engage in fisticuffs for a short while before Spike fires off a few more rounds, finding Non-Penguin really hard to hit. With a series of somersault kicks that Guile himself would be envious of, Non-Penguin leaves Spike on the ground, helpless and with a cane-gun pointed at his face. Before he can leave Spike a mess on the pavement, Non-Penguin is startled by an alley cat. He turns to try and shoot the cat - which, for some reason the seemingly invincible assassin can't hit - which lets Spike find a canister of explosive, plot-convenient gas. He rolls it towards Non-Penguin and shoots it. The resulting explosion takes out the entire block, probably killing dozens of families sitting down for dinner, and lightly tosses Spike into a wall. As he gets up, a knife pierces Spikes right arm, and Non-Penguin is standing behind him. Spike runs, but Non-Penguin fires some sort of Spike-seeking grenade that goes off just as Spike hits the nearby river. The nearby river that was probably built by the same people that leave giant, explosive canisters littered in back alleys. The shadow of Non-Penguin stands in front of the water for a second before fading away.

Jet's standing on the roof a building hitting up one of his contacts, Bob, for information on the crazy fat guy. Bob isn't keen on sharing information on this guy, but eventually gives up the name, "Mad Pierrot." Jet looks up at the audience, a little stunned, to make sure we heard the same thing.

Back on The Bebop (the spaceship), a bandaged hand reaches for an orange. Faye, of course, gets to it first. She sits on the table to eat the orange and berate Spike, who is covered in bandages. As he is wont to be. Faye drops the orange peel on Spike's head and walks off.

Later the same day, Bob is still telling Jet about Mad Pierrot. Based on the lighting, Bob's been talking about this guy he doesn't want to talk about for hours. Turns out, Mad Penguin has been killing top officials at the ISSP (Inter-Solar System Police) and everyone who gets a look at the guy without dying, eventually gets hunted down. "They say he appears with a smile, and he leaves with a smile." Plus, there's that creepy-ass floating trick he has. The dude's like The Penguin and The Joker rolled into one. Also a vampire.

Ein goes to tell Ed she has an e-mail, which she immediately takes to Faye. It reads: "Hello, boy, you're invited to a wonderful party..." Faye figures out that the e-mail was sent from that weird guy who almost killed Spike, and tells Ed that they can't tell him about it. She doesn't show it often, and tries not to, but she clearly cares about these people. Well, she doesn't want them hurt. Of course, they do kind of pay her rent... In any case, it doesn't matter, because Spike was standing behind her the whole time. The e-mail came from 'Space Land,' which sounds like a stupid amusement park for the future. It's like having a smaller, less-authentic, probably-smelling-of-vomit Disney World underneath the real thing, where all the people dressed up like cartoon characters just lay on the ground with their cartoon heads off. Spike wonders aloud if 'this is the one [he] won't come back from.' When Faye looks at Spike, semi-concerned, semi-annoyed, he says he was just screwing around. Bounty hunters have their own sense of humor.

Jet calls and Ed tells him that Spike left for 'somewhere.' He already knows who Spike went after, and asks Ed for a favor before the scene abruptly ends.

Spike lands outside of Space Land and steps out of his ship (Swordfish II), then grabs his side, still not healed from his last fight. Making sure he looks cool, he puts his hands in his pockets, his face down, and struts into the park. 'Cause if you're gonna die, do it looking like you don't care. Spike walks through the closed amusement park, which is full of rides covered with cartoon animals, which I guess are prevalent in space. At least it's night, so the shadows make everything look more like a Silent Hill game than Disney. There's a good twenty seconds where the only sounds are Spike's footsteps. A rarity in media these days; especially in an action series. Producers are so afraid that people will get bored if there isn't something happening every two seconds, that a soundtrack is almost always filled with some kind of noise. As Spike enters the center of the park, Mad Penguin turns on the lights and welcomes him to his doom. He then throws his arms into the air as fireworks 'plode behind him, the rides turn on, and slightly slowed down carnival music plays. Bullets are exchanged, glass shatters, and Mad Pierrot bounces around like Daffy Duck.

Spike takes shelter in some sort of holodeck set to that ice level in Super Mario 64, where a Navi-like sprite continuously informs him that, "It's dangerous in here!" Pierrot slides down a hill on a penguin and greets Spike with a cheerful, "Hi!"

Jet talks Ed through an ISSP database, that 'doesn't exist to the general public.'

Elsewhere in the park, Spike manages to shoot Pierrot a few times, but it's only to remind us that Pierrot has some sort of body armor. The bullets bounce off and Pierrot flies off laughing. Spike shoots and kicks a few animatronic cartoon mascots for good measure.

Ed finds 'it' and Jet tells her to find a file with the codename 'Tongpu.' She tries a few times to hack into the file, but is rejected.

Spike is hurled through the air by an explosion, landing in a rollercoaster car that takes off down the track. Pierrot passes Spike in another car, and wraps a whip around Spike's neck, dragging him out of his car and onto the track behind Pierrot. Spike's ride doesn't last long, as Pierrot tosses a grenade onto the track, letting Spike fall into the water below.

Ed hacks the file, which contains a flashback with a groovy techno soundtrack: A man in white lays helpless on the floor of a white room. Quick shots of vials and cells being injected are intercut with shots of the man in white gaining weight and looking sick. Various experiments are done on the man, including one where he gets shot and a green force field protects him as he shakes violently from pain. All the while, a black cat with two differently colored eyes looks on. The Ghost of Exposition Past voice-overs: "ISSP Assassination Ability Improvement Experiment, experiment sample chart number 46. Codename Tongpu. Confirmed a strong regression of the mind during the experiment." The AAIE was cancelled, and number 46 was to be kept out of sight and mind indefinitely. However, during his transfer, Tongpu sort of flipped out and escaped. Jet takes over and explains that Tongpu was first just out for revenge, but now seems to just like killing folk, and his mind is still regressing. "So, he's like a child with superhuman fighting abilities... there's nothing as pure and cruel as a child." Sweet. When I have a kid, they're so getting a chest cannon and laser eyes. But on with the show.

Spike pulls himself out of the water and Pierrot starts launching grenades at him. Faye flies into the action in her racer and opens fire on Pierrot. With a few grenade shots, Pierrot hits a giant pig statue which knocks Faye's racer down and forces Spike to dive through a store window to take cover. Thanks Faye. Why don't you sit out the rest of this episode? Pierrot laughs at Spike, lying helplessly in the store. As he tries to get up, Spike knocks a toy cat out onto the sidewalk. It starts to meow innocently, and Pierrot starts to freak the fuck out. He flashesback to the flashback we saw in the last scene and shoots the toy, but regains his composure quickly and shoots the gun out of Spike's hand, just as he was running away. A parade of giant, animatronic cartoon characters is coming up the road between them, as Pierrot points his cane-gun at the degunned Spike. Lights from the parade flash in and out as the two stare each other down. Spike reaches for a throwing knife he's been hiding behind his back. The light shines on Spike's cybernetic eye, which just happens to be the same color as one of the cat's eyes. Pierrot falters for a second, giving Spike his chance to toss his knife into Pierrot's leg. Spike gets a bullet in the shoulder, which isn't a big deal for an anime character. Pierrot, seeing the knife in his leg, starts to bawl like a six-year-old who just scraped his knee. As he screams for his mommy, literally, the parade meets Pierrot and tramples him. A giant cartoon dog steps right on Pierrot, ending the screams. Spike looks on, with the blank stare that only comes from watching a murderous man-child get smooshed under the foot of a giant, dopey dog with a snare drum. Jet calls Spike on his iPhone to tell him they've figured out what Pierrot is, but Spike calmly tells Jet that it doesn't matter anymore, then hangs up. Spike stands up, and as we pull away from Space Land, informs us that he 'hates theme parks.'

See you space cowboy...

Saturday, May 12, 2007

Eureka 7: Episode 1

You know how some people cut themselves? Well, I watch Eureka 7. Basically the same principle.

The series starts in the sky. LFOs (mechs) fly through it for no apparent reason, and after a little babble from a character named, Stoner, missiles follow them. The team's leader, Holland, makes short work of the shooter, cutting him in half with a sword. That's right, the giant, flying machines use swords instead of lasers or missiles. If you have to know why, stop watching now. The show makes stabs at explaining it's mythos throughout the series, but none of it makes sense. "The adjective nouns employ almost-science-word to verb some other noun, in order to verb the bad things." I foresee myself skipping entire scenes just so I don't get bogged down in the logistics of pure bullshit.

Next, we meet our pubescenty hero, Renton. And I really wish we didn't have to. By episode 13, we'll all want him dead. His room is full of posters. Not of hot women-folk, but of people snowboarding in the sky. His radio talks of more verbs and nouns, which excites the young boy of 14. He's jump-cutted outside onto a little motor-bike, and takes off. Some dude fixes up his airboard and tells Renton that a 'cut-back-drop-turn,' a super-cool move one does on an airboard, is impossible for someone of Renton's age and basic intelligence. Here, we learn that Renton has a boy-crush on Holland, a famous airboard guy and a character from the first scene. One day, Renton hopes to be just like Holland. Which means in a few episodes, Holland will be revealed to be a total dick. I've seen anime before.

At school, a teacher attempts to explain something. The important thing is, Renton's dad was someone famous. A big guy in the field of bullshit science. A while back, bad things happened. Today, they call the badness period, "The Summer of Love." 'Cause it's ironical. The one who ended the Summer of Love? Renton's dad. Then something explodes next to the classroom. What? Why? Got me. Renton hits a kid for making fun of his father, and we cut to a new scene.

On the roof, Renton flashbacks to a few years ago when his sister left him to look for their father. She tells him, "If you can really believe, then the power of your belief will become reality. That means you can fly, save the people you love, and meet me whenever you want." She then gives Renton a compact drive; a vibrator looking device that glows green. It makes Renton smile.

Later, back in class, Renton's teacher tells Renton's grandfather, that Renton is kinda dumb. Despite his father being a great war hero, they'll probably have to kick him out for being too stupid. Over dinner, Grandpa weeps for having to take care of his orphaned, idiot grandson.

Renton bikes to a spot to airboard, or "Lift" as the show calls it. "As long as I can lift, there's no problem." So, of course, the only place in town to lift explodes just as he arrives. Litterally, it blows up. It's been fenced in and put aside for military training. Renton should really just kill himself.

As Renton and his grandfather fight over how useless Renton is, a little pilot in her LFO begins to crash over their home. The fight continues outside as the LFO does that cut-back-drop-turn thing, just before slamming into the house, next to the garage the family runs. We learn that this LFO is the 'ultimate' version, "Nirvash Type Zero." The pilot slowly gets out of her cockpit (giggle) and asks that someone fixes her LFO. Apparently, they aren't supposed to crash into houses.

Renton pokes around the Nirvash, spouting techno-nonsense, as Eureka, the little pilot, walks up and asks for a flamethrower. Renton shakes the blushing out of his cheeks, and asks her what's wrong. She explains that since she wrecked the place, she thought she should help out. [more bullshit goes here] Eureka walks away to get the flamethrower, and Renton finally figures out that that's an odd thing to ask for. He runs outside to find Eureka has gathered his belongings from his crushed room in a pile to burn them. Wackiness does in fact ensue.

Near by, the pilots we saw in the opening scene watch the wackiness as it ensues. We learn that Holland knows Renton's grandpa, but they don't really want to talk. So, they spy, as is normal when you don't want to talk to someone. Apparently, they sent Eureka in to avoid unpleasantness. I'm not really paying attention at this point. Probably shouldn't have admitted that... anyway.

Grandpa is all hip to the game, though. He produces a device, saying that it must be why Eureka's here. Afterwards, he orders her to leave and never come back. As soon as he's done, missiles fly for the shop. Eureka grabs the controls and drives off. Yeah, they drive, too. So, the military is attacking Eureka, because her and Holland are a part of this group called, "Gekko State." They're a little Robin-Hood-and-his-Merry-Men, but with more killing and flying through the sky.

As the Nirvash defends itself in the sky, Grandpa hands the device to Renton. It's something called an "Amita Drive," and Renton is to somehow get it to Eureka. The amita drive will "awaken the LFO to its true abilities." That's the most straight-forward explanation of things we may ever get in this show.

Renton bikes as fast as he can towards a cliff, monologuing to his sister about belief and stuff and how he's going to fly. Once over the cliff, Renton realizes he's an idiot and falls to a jaggedy death. Well, I wish. It's like those old film serials where death is eminent at the end of each one, only to have everyone smiling and joking at the start of the next. Sadly, he'll be fine.

Sunday, May 6, 2007

Eureka Seven Finale on Adult Swim

All longtime readers of this blog will know that we hate Eureka Seven. Adult Swim on Cartoon Network recently concluded the show's fifty episode run, but, that apparently being insufficient, this past Saturday night we were were fortunate enough to be subjected to the conclusion a second time. It turns out that Adult Swim's habit of truncating the show's opening and ending credits had the dual effect of omitting some of the show's vital plot points, those plot points being explicated during the time normally allotted to those selfsame credits. I'm frankly quite surprised that the [AS] folks didn't realize this, but it also confirms my suspicion that they stopped watching a long time ago. Because they hate the show too, you see. I can only imagine that there was some outcry over the cut material, which forced them to show the episode again, in its entirety.

As conclusions go, the show was quite unsatisfactory. Random monsters attack for no reason, Eureka hangs upside down in a big red ball, and a giant heart attacks the moon. A more Neon Genesis Evangelion-esque ending would have been appropriate, possibly with Renton sitting by himself in a dark room and everyone yelling at him for half an hour. Then, at the very end, Eureka would have appeared to slap the shit out of him for a while. That would have had more of an impact on me, for this entire series generally had none.

Except for episode 26, where Eureka needs Renton so much that she flies off alone on her little surfboard thing and as she's hurtling to her death Renton plucks her out of the sky. That part wasn't so bad.