Thursday, April 17, 2008

Bleach 167

Remember last time I mentioned how http://www.deviantart.com/ would be filled with drawings of Grimmjaw? I was right. Just go over there, search under his name (or “Grimmjow”), and be filled with horror. Some people trace other pictures, some jerk spasmodically with a pencil in their hand. Some draw Grimmjaw and Inoue in love (oh my Gawd) without regard to anatomy or perspective. Sure, there is an occasional quality piece, but just imagine all the people sitting out there, thinking, I must draw Grimmjaw. That frightens me.

So after what seems like a five minute recap of what’s been going on, we return to see Ichigo slashing Grimmjaw. But good. Grimmjaw falls to his knees, and Ichigo starts to relax, but Grimmjaw curses him. Does he really think this is the end? High up above, Inoue calls out for Ichigo. Watch out! We see blood splatter through the air. There is so much blood that it covers the whole screen, and that serves as a nice little transition to the next scene.

Seems that it’s lecture time on Bleach. Here’s how this works: Hollow eat human souls to feed the emptiness in their own souls. However, some Hollows have a greater thirst, and they start to feed on other Hollow. These cannibalistic Hollow all tend to gather together, and then they do, they all naturally meld together to form Gillian. Gillian are powerful, but have no consciousness. On occasion, though, there are Gillian formed from Hollow with exceptionally strong personalities, and the resulting Gillian might rarely retain its sense of individuality. Now, the narrator is explaining all of this the animation on screen shows, you know, Hollow and then Gillian, but then pans to a weird Gillian with a gate for a face. That could be kind of creepy. I think I saw a guy like that in an alley once, but I was pretty drunk.

These smart Gillian will eat other Gillian, and in turn become Adjuchas. Now we see a leonine Hollow leaping up from the sands of Hueco Mundo. It shakes its head, roars at the weird moon. Adjuchas eat each other, just like everything else in this wretched realm, and if they don’t continue eating, they regress back into plain ol’ Gillian and can never evolve in Adjuchas again. We watch the leonine Adjuchas chasing down other Adjuchas without mercy and eating them. It’s covered with green blood.

A shadow suddenly covers it, and it turns to face a whole slew of bigger Adjuchas. One threatens to eat the lion thing, and we pan over the new group, and they look distinctly familiar, maybe like some of the Arrancar who’ve been wiped out previously. The leonine one pauses for a second, and then attacks quickly, biting three of them in quick succession. They scream in agony. Like little girls.

One of the Adjuchas asks his name. It’s Grimmjaw, naturally. The other introduces himself as Showlong, who did, indeed, die a little ways back when Captain Hitsugaya froze him to death. Showlong and the others are on their way to becoming Vasto Lordes, the very highest level of Hollow, and they need a strong leader, like Grimmjaw, to lead them. They want him to be their king.

End flashback, and we see Grimmjaw skewering Ichigo with his claws. He pulls out his hand and they jump apart. Grimmjaw glowers at Ichigo. He hates Ichigo, especially the way he looks at Grimmjaw, for, no matter what’s happening, no matter how badly Grimmjaw is beating him up, Ichigo always looks like he knows that he’s going to win in the end. He attacks again, but Ichigo blocks his hand with his sword. Ichigo says that maybe Grimmjaw is upset that, he, a mere human, is fighting on equal footing with him.

Too bad that Grimmjaw has two hands! Ichigo looks surprised when he gets stabbed again. Grimmjaw drop kicks him like a football. Grimmjaw doesn’t care who he’s fighting. He’ll kill anyone who looks down on him. I think that Grimmjaw has deep, deep insecurity issues. He pulls back and his claws start to glow blue and…lines appear out of them, stretching up into the sky. They look strange, and not that scary, but this is apparently Grimmjaw’s greatest attack: Desgarron. That means laceration, in Spanish.

Flashback again, back to Adjuchas Grimmjaw and his merry band. Showlong says that they’re giving up. Even after eating three thousand other Hollow, they can’t feel themselves becoming any more powerful. Hence, they have evolved as far as they can. Grimmjaw scoffs and invites them to die in a ditch somewhere. I wasn’t aware that Hueco Mundo had ditches, but okay. He starts to leave, but Showlong begs him to eat them. They can go no further, they accept that, but Grimmjaw can continue to evolve.

In the now, Grimmjaw fires off desgarron. It mainly consists of those shiny blue lines dashing toward Ichigo. It’s not that impressive. Overall, the animation for this episode is of poorer quality than the last one. Yawn. Ichigo blocks desgarron with his sword and gets pushed way back. Grimmjaw laughs and thinks that he’s going to win! He recalls the flashback we just saw, and he says, fine, he’ll eat his companions. They’ll know what it’s like to evolve as part of his own flesh. He’s the king, after all.

Too bad Ichigo interrupts his thoughts, because he sticks his sword into one of the desgarron blades and breaks it apart. He tells Grimmjaw that he wants to win too, and he opens his eye and we can see that it’s his normal, human eye (by now he only has a quarter of his Hollow mask left, mind you), and he moves in to attack! Grimmjaw fires off another desgarron, but Ichigo sticks his sword in it and rides the wave like Mary Poppins riding through the sky with her magical umbrella. Ichigo shouts something about defeating all his enemies and saving his friends as Bleach’s determined-to-win music plays. The desgarron blades all fall apart and Grimmjaw just stands there as Ichigo stabs him.

Grimmjaw stares at Ichigo as he withdraws the blade, and he topples backwards. We see leonine Grimmjaw again, walking alone along the wastelands as he stops to look up at the moon. Mournful cello music plays. Blood pours from Grimmjaw now and he falls to the sand but Ichigo catches him by the arm. Ichigo’s Hollow mask falls away completely and he slowly lowers Grimmjaw to the ground, where he lays on his side with his eyes closed. Ichigo looks at him for a long time before finally turning away.

Frankly, I’m not sure how to feel. On one hand, this is just a cartoon, and these people aren’t real. On the other hand, you look at Grimmjaw and you think, he’s nothing more than a victim of circumstance. He’s vicious and angry because, if he’s isn’t, he dies; but he does have some noble qualities. He thanks Inoue for healing his arm. He doesn’t eat his companions, because they all become arrancar together. In the end Grimmjaw is a pitiable figure. So powerful, yet still terrified of being condescended to, and all he knows how to do is lash out. Point is, complex characters are good characters, and sometimes Bleach does things right. And Ichigo catching Grimmjaw as he falls? Very nice.

Ichigo goes up to Inoue. She’s happy that he’s back to normal; Nel is just happy that Ichigo is alive. Ichigo and Inoue hold hands and look into the sky. Everyone is waiting for them.

Next episode: Seems to feature someone who is decidedly not Ichigo. And the “Shinigami Golden” has Nel saying goodbye for some reason. Rumor has it that we are facing terrible, horrible filler episodes for a prolonged period. I’m sure this will be fantastic.

Monday, April 14, 2008

Bleach 166

Last we reviewed Bleach, the gang was heading into Hueco Mundo to rescue someone from Aizen and his evil Spanish guitar music. Maybe Inoue. I’m not sure. I am sure that she has huge breasts. They fight some big Hollows, they meet Nel and some insipidly annoying sidekicks, Rukia and Renji join them and they crash into Aizen’s massive fortress.

Then they start fighting. And fighting some more. Everyone powers up, and powers up again, and it’s kind of like Dragonball Z where everyone yells for half an hour before unleashing a discombobulatingly devastating attack. Now, that doesn’t mean that any of this is very good. It’s entertaining though.

So Ulquiorra stabs Ichigo, our very favoritest protagonist, right in the chest. Grimmjaw frees Inoue, takes her to Ichigo, and tells her to heal him so that he can beat up Ichigo properly, and not in the half-assed manner that is Ulquiorra’s preferred idiom. They exchange tentative blows, and Grimmjaw fires off the greatest cero ever, but it’s not actually aimed at Ichigo. It’s aimed at Inoue and Nel, right behind him. Ichigo has to put on his Hollow mask to save the gals, which is exactly what Grimmjaw wanted all along. Everyone freezes; Grimmjaw has a menacing sneer; Inoue doesn’t know what the hell just happened. Ichigo looks at her, she’s scared, and he tells her not to be afraid, to relax. He’ll end all of this soon.

Grimmjaw is like a kid in a candy store. Do kids still go to candy stores? I assume so. With a cry of “Grind, Pantera!” he unlocks his sword. A huge windstorm whips up, and Ichigo tells Inoue to put up her shield, which she obediently does. The sand blows away and we see Grimmjaw, transformed into a some kind of feline antelope thing with a great mane of blue hair and fantastic eye makeup, and I'm pretty positive that an entire generation of amateur anime artists have been inspired to draw this handsome guy. Deviantart or whatever it's called is going to be overflowing with crudely drawn pictures by fanguys and -girls of this Pantera thing. Whatever. He roars, shaking things up so much with the sheer power of his vocal chords that even Ichigo is impressed.

Grimmjaw goes right on the attack, jumping up and kicking Ichigo through the landscape. Now, mind you, the landscape here consists of massive red columns rising up from the sand, so being kicked through them probably hurts a lot. Grimmjaw meets him at the other end and kicks him some more, and then slashed down at Ichigo with nasty nasty claws, sending Ichigo straight down through a big gray column. There’s a lot of smoke and Grimmjaw floats above looking for Ichigo, and they actually animated his eyes moving around, which is a nice touch. Usually people just blink on this show, or their eyebrows move a bit, and that’s about it.

Before the dust even clears Ichigo flash steps right behind Grimmjaw and fires off his GETSUGA TENSHOU! Grimmjaw just laughs. He hates Ichigo’s eyes, and, now that he mentions it, so do I. Who likes yellow eyes?

Cut away now to a ledge over on the fortress. We see one of the Espada, the large breasted one, and if you read the manga (and I know you do), then you know that her name is Halibel. Three of her hot arrancar lieutenants, Mila Rose, Apache, and Sun Sun, are yapping about the battle they’re watching between Ichigo and Grimmjaw. A huge blast of wind unsettles them all, and Halibel steps forward and says that’s it’s understandable that they’re afraid. Mila Rose and Apache look at each other and pretty much admit that it’s true. Halibel goes on some more about their fear, telling them to remember it, and then muses on how powerful Ichigo is, with his mightly reiatsu and evil aura. It’s almost like watching two Espada fighting.

Back to Ichigo and Grimmjaw. They’re flashing around, explosions abound, huge shock waves rattle the air. Grimmjaw slams Ichigo into one of the big red columns and notices how Ichigo can keep his Hollow mask on for longer now. Much longer. Remember how at first he could only use it for eleven seconds? I’m pretty sure more than that has passed, even in cartoon time. Grimmjaw wonders why, but doesn’t really care. He just doesn’t want the mask to break off in the middle of the fight. He thrusts a razor sharp hand at Ichigo, but our guy catches it and says that he doesn’t want Grimmjaw to release his own form yet. Then Ichigo slashes Grimmjaw right across the chest, and blood spurts all over. Ichigo presses the attack, but Grimmjaw parries his sword with little arm blades, and then flies into a whirlwind of kicks. Ichigo avoids them, but it’s just a feint, and Grimmjaw smacks him right back to the earth. Seems that Ichigo can’t really keep up with Grimmjaw’s speed and agility. Too bad.

He dives down to finish Ichigo off, but Ichigo is waiting for him with his sword. Grimmjaw manages to avoid it, but still manages to get a sword dragged along his arm. They attack and slam into each other and throw up a huge atomic bowl of sand.

More fighting, kicks and blows, and Grimmjaw dashes around to outflank Ichigo. The animation is really much better than usual. The producers should take more time between episodes (there was a two week gap between the last and this one), if this is the kind of quality they can produce when they’re not being rushed. I wouldn’t mind the wait, and neither should you. More blows are exchanged, and Ichigo gets knocked up along a column but manages to skid to a midair stop.

Grimmjaw snorts and aims his elbow and fires off a quintet of weird missiles. Ichigo avoids them, but realizes that (again) they’re heading toward Inoue and Nel. He corrects his mistake and intercepts the projectiles with his back, and they must really hurt because he spits up blood. Ichigo says he’s fine and looks directly at Inoue, who starts freaking out because she has a sudden vision of her brother as a Hollow, from way back in the second episode of the series. Remember that?

Ichigo flies down to face off with Grimmjaw. He notes that Ichigo is breathing prettily heavily. He jerks up his elbow and casually fires off an elbow missiles at a big red column behind him, and it sort of breaks in half. Five of those in Ichigo’s back? He must be hurting, and to prove the point, his Hollow mask starts to crack a little. Ichigo says he’s not even close to his limit. That pleases Grimmjaw to no end, but then his own mask starts to crack! Can’t anyone find a non-crackable mask here?

Inoue watches them fight some more and continues her freaking out. The eyes are the thing, you see. They remind her of her brother’s terrible, terrible Hollow eyes. Down below, Ichigo’s mask is really starting to go to pieces and Grimmjaw finally gains the upper hand, kicking him into one of those big red columns, and it falls apart too. Nel starts to mutter something that I don’t care about, then she begins to cheer Ichigo on, because what he really needs now is a cheering section. Then she starts to yell at Inoue, something to the effect that Ichigo’s using a terrible, ominous power, and being cut and thrashed because of you, Inoue, so the very least you can do is cheer for him. Inoue has an epiphany, naturally, and starts to talk about her womanly feelings. Point is, everyone came to save her. How could she be afraid of Ichigo?

By now half of Ichigo’s mask has fallen off. Grimmjaw makes like a spinning top (awesome) and slams right into him. They even animated the very moment of the hit, with Ichigo grimacing in agony. Grimmjaw says that this is the end, and he even looks a little sad for Ichigo. Ichigo pants and pants some more.

But, “Don’t die!” Inoue shouts from above. “You don’t have to win. Just don’t, you know, get hurt anymore.” Gee, thanks. Ichigo looks amazed, however, but doesn’t have much time for that, as Grimmjaw dives toward him with a cry of “Kurosaki!” Ichigo, I suppose inspired by Inoue, suddenly grabs Grimmjaws hand, says that he can’t afford to take any more hits, and cuts the Espada, but good.

Next week: More Ichigo and Grimmjaw action. Grimmy does the voice over, and his voice is just full of anger and hatred. He's not evil; he's just sad and misunderstood. I feel like I'm the only one who understands that.

Friday, March 28, 2008

Romeo X Juliet 6

Dr. Whirlwind stands atop the effigy and demands the innocent people be set free. "Now that you have the genuine article, surely you've no need for these imposters!" The crowd's all, "Hey, yeah! What the fuck, dude?" The guards aren't having any of that, though. They yell at the crowd and point sharp things at them. When Dr. Whirlwind reminds the guards that their duty is to protect the people, the crowd again goes, "Why, yes. That man has a valid point." Everyone yells at everyone until a guard overlooking the ruckus gets impatient and lets loose a flaming arrow, hitting Dr. Whirlwind in the shoulder. Lord Dipshit turns with a chuckle and says he'll let the fake Whirlwinds go free as 'compensation' for getting shot with fire. Once the innocent men are set free, Lord Dipshit tells Dr. Whirlwind that once he's dead, "we'll reveal your true identity." Knowing that his family would be next on the chopping block if that happens, Doc says that he can't let that happen. He looks down at the still-flaming arrow and gives the famous 'Don't Cry for Me, Neo Verona' speech - which I'm sure is very touching - then drops the arrow on the tinder below the effigy. The crowd looks on, not quite sure what just happened, and Juliet, of course, loses her shit and runs away.

Romeo's flying above the city, as he's doing any time something important is going on, and sees the fire. He sees someone from the crowd being beaten by a guard and asks what's going on. Lord Dipshit (Cerimon) tells Romeo that the Crimson Whirlwind is dead. "He said he was no match for the great Cerimon and set himself ablaze." I'll stick with 'Lord Dipshit.' Romeo does the shaky anime eye before flying away on his magic horse, but doesn't get far before spotting Juliet crying below him. He lands then runs up to her, saying he's so happy she's alive, because he was so sure she was the Crimson Whirlwind, which is just silly, I mean, HER? The Whirlwind? That's just stupid. Right, Juliet? ... Juliet?

... oh. Juliet tells Romeo that she can't see him any more and Romeo asks why. She tells him, as dramatically as she can, that she is the real Crimson Whirlwind. Romeo's eyes get huge and he clearly can't believe it. Despite the fact that mere seconds ago, he was so convinced that she was the Whirlwind. So convinced, that upon hearing of the Whirlwind's suspected death, he was off to cry in a corner with his Dashboard Confessional CD. But now it's a shock, for some reason. Before the silence can get anymore awkward, Juliet flips off a railing to a walkway below where she runs away. I bet all the cool shit is happening off screen. That's why everyone keeps running there.

The next day, Benvolio is expositing that his father considers the whole 'Whirlwind thing' to be done. Adding the understatement of the year, "Threatening to burn innocent citizens alive was simply going too far. My father plans to punish the captain of the police [Lord Dipshit]." For no conceivable reason, Romeo almost lets it spill that the Whirlwind killed last night was a fake. This clown is part of the ruling order?

After the break, we're in court. Because that's where you go to spice up your drama and/or action story. I know I can't get enough of parliamentary procedure. Romeo and his father take a seat high above everyone else, while Benvolio's dad is joined by Lord Titus down below. Lord Titus is laughing like an ass and clearly drunk. [Point of reference, Titus Andronicus was Shakespeare's tragediest tragedy, actually losing popularity in Victorian times for being too bloody; I feel good things coming] The first bit of business today is a decree from His Majesty the Archduke Montague saying, "Martial law is cool; agree or disagree? Also, disagreement means death." Benvolio's dad is the first, and only, to stand and disagree, saying that to continue to let bad things happen will, like, not make good things happen. The Archduke tells the court to shut up. He's not being oppressive, pshaw. "Is it not the father's duty to punish the child when it errs? The father must whip the child, even as tears stream from his own eyes. For a family to live under a single roof, there must be discipline above all else." Turning his back to the court, the Archduke bellows that if the governor wishes to protect the commoners so much, he should become one, and decrees that Vittorio de Frescobaldi (Benny's dad) be stripped of nobility. The court then votes on both the martial law bill and the denoblement of the de Frescobalid name. Everyone in court stands to show their affirmative vote, including Lord Titus, who can't look Vittorio in the eye. "Don't take it personally," he says. Hey, I'm with you. The bearded bitch is scary.

Team Odin rides on a gondola looking sad and pensive. Antonio asks everyone if the Doctor's family knows that he died. But no one answers.

Benvolio and family are being driven out of Neo Verona. Romeo flies down on his horse to see his friend off. Benvolio tells Romeo that they're bffs, and that if he ever needs anything to just pick up a magical, steampunk phone and give him a call.

Mrs. Dr. Whirlwind is telling Juliet that they're thinking about moving to the country. The city's too... the-military-wants-all-the-poor-dead, nowadays, "so my husband wants to leave." And, just to make us sadder, their little girls are in the background playing with Antonio, having the greatest time ever. Juliet tries to say something, but Mrs. Doctor butts in, "He believes in you. He trusts that the iris still blooms." Then one of the kids just has to ask, "Where's daddy?" Without faltering, Mrs. Doctor tells the kids that their father has to stay in town to watch over his patients. Which the kids totally buy. After their cart is full, Juliet tells the family to be safe, and Mrs. Doctor replies, "And may the whirlwind blow again. He lives within you even now, so keep your spirits up."

On their way back, Juliet asks why Mrs. Doctor didn't blame her for the death of Mr. Doctor. Curio says, "Lancelot left everything to you." What? First of all, we're starting to pull from the wrong set of mythos. Secondly, does that answer anything? Does he mean to say that Mrs. Doctor doesn't blame Juliet because she knows Juliet was there to watch, and already blames herself for it? Shut up, Curio. Francisco adds, "Besides, he became the Crimson Whirlwind; the real Crimson Whirlwind." Okay, the both of you are in the expository penalty box; you may only speak when the plot absolutely demands it. As they get closer to wherever the hell they're going, a shadowy figure walks out to greet them. Juliet and Curio get ready to attack, but Francisco stops them, saying he's an ally. Proof of which can be seen by his doofy looking badge.


What's up, mysterious stranger? "Vittorio de Frescobaldi and his family are set to be assassinated. This is presumable by order of the archduke himself. The elite guard is waiting to ambush him on the outskirts of the city. They will attempt to make it look like the work of bandits." Well boy, you are sure full of information it would've taken a full scene or two to dole out artfully. Thanks for getting us to the last act! Hope to see you again when the plot gets bogged down unnecessarily by emotional tertiary characters.

In the Carriage of Imminent Doom, Benvolio is trying to comfort his crying mother. "But we have to leave our home behind and move outside the city..." with POOR people! Dad tries to paint a sunny picture on this crapfest, when the cart hits a pothole and shakes violently. We cut outside to see that the carriage is stopping by some neo ruins... yes, ruins in the futuristic, still thriving, floating, Victorian-like Neo Verona. Aside from the buildings that can be seen past the cliff, they're pretty much in the middle of nowhere. When Dad looks through the peephole to talk to the driver, he's almost stabbed in the face. Dad is ready to stay and fight off the driver-assassin for a few seconds while his family runs, but Benvolio and mother only get a few steps before a small fleet of soldiers come running out of nowhere. Nobody expects the Neo Veronan Inquisition. Just as things look dire, Team Odin jumps down like so much Major from Ghost in the Shell and attacks. It should be noted that Juliet, while still dressed as Odin, is NOT dressed as the Crimson Whirlwind for this fight. While the boys take care of the guards, Juliet squares off with the driver-assassin. She tells the family that, if they wish to live, they'll come with her. They start to run but the driver throws a dagger towards... any of them, I guess. Juliet deflects it with her sword, but falls to the ground as if she's been hit. I'm not really sure what happened there. Pulled muscle? The assassin comes in to finish his job, just as a Ryouma is heard nearby. Juliet, horribly hurt somehow, is just barely able to look up and ask if it's Romeo. But it's not. It's... this guy.
If we're dipping into Arthurian mythos, I'm declaring all bets off. My guess is Zach from the Final Fantasy VII series.

Tuesday, March 25, 2008

Shigofumi 4

I think this series is growing on me. It’s unique, it’s filled with real emotional depth, and it isn’t afraid to leave things unsaid. The audience isn’t assumed to be stupid, and I respect that. So should you.

It’s a tense tennis match. 40-15. So maybe not that tense, if you know how tennis is scored. The girl tosses the ball up, it hangs in the air an impossibly long moment, and the girl smacks it over the net and right past her opponent. Yahiro wins! Pretty handily, too. The girls shake hands and then face the judge. The judge, another young lady, stares down at Yahiro with something more than admiration. Their tender moment is interrupted by a gaggle of younger girls surrounding Yahiro and calling her “sempai” and such. The judge looks at her and smiles, and a single white feather drifts down from above.

After the intro, we find Yahiro with the judge, Nanae, and they’re talking about all the overeager new young girls fighting for Yahiro’s attention. Nanae tells Yahiro that the best way to get rid of them is to get a boyfriend. Yahiro gets upset and turns around. Nanae tells her that she (Yahiro, that is) likes to be teased, and then she hugs her from behind. With something more than admiration.

That single feather we saw earlier finally falls to the ground and Fumika and her faithful staff, Kanaka (I can never remember her name), stand in front of a house. Yahiro, first name Ran, lives there with her father. Kanaka wants to know about the shigofumi to be delivered this time: it’s especially thick and heavy. Fumika won’t say what’s in it, naturally, so instead Kanaka asks about what we saw happen in the very last episode, with Kaname running up onto the roof after Fumika. Flashback, to Kaname asking “Mika” why she shot her father, and he’s saying that he’s been looking for her ever since. Fumika says a command to disappear, and, after some hesitation, Kanaka takes them away from it all. Back in the animated here and now, Kanaka is curious, but Fumika says that she doesn’t remember the boy at all.

Just then Ran runs out of her house and straight into Fumika, who holds up the shigofumi for her. After explaining what the damn thing is, Ran says, “Maybe next time,” and takes off again. Fumika speaks the sender’s name, and this freezes Ran right in her tracks. She turns around, smacks the shigofumi to the ground, and says that she doesn’t know that person. Oh, but I think she does!

At the train station, Ran is sitting by the window while the rest of her teammates toss candy back and forth. She’s looking pensive, and Nanae comes up and touches her on the face with a cold soda can. Nanae thinks that something is wrong, but Ran denies it, as any sane person would. A shigofumi?! Pfft. The younger girls loudly ask if they want to play “old maid” with them. Nanae (team captain, as it turns out) tells them to have a little more respect for their fellow passengers. Ran is the cool one, and proceeds to joke with everyone. Just then the train leaves, and we see Fumika standing all alone, with her undelivered shigofumi. She says they’ll have to get a pass to leave the city, and Kanaka is pretty excited. So am I!

Now we turn to Kaname and his family. His father, Noji the detective, is pouring stew over his rice, and Kaname tells his father that he saw Mikawa on the day of the incident at school. Last episode, remember? Noji slowly lowers his bowl and mutters, “Mikawa Fumika?” It’s impossible! Are you seeing the connection here, faithful readers? Fumika is pretty clear. The surname, Mikawa, is the same as the writer that Fumika quoted, too. I see plot threads being expanded.

Back with the tennis team. They’re in the country at a training camp. Nanae and Ran are ordering supplies, but Ran continues to look disturbed. She has a vision of people standing in the store’s doorway, and gasps, but the vision ends and a hip, attractive couple walks in. Ran stands rigidly, and Nanae stares at her. Afterwards, they’re riding a bike (Ran in front, Nanae hanging on behind her), and Nanae asks Ran if she really dislikes men that much. Ran says that she lives with her father, but Nanae cleverly rebuts that Ran doesn’t think of her father as a man. Ran scowls, but then she gasps (again), for Fumika is standing right in the road in front of her!

She holds out the letter, says that it’s from Tateishi Naoko. Ran mutters something about abandonment and flies off without taking the shigofumi. Kanaka isn’t really surprised. Getting a shigofumi could be scary, but Fumika vows that the letter will be delivered. Another voice says that young people are so very confident, and we pan up to see another girl, Chiaki, sitting in a tree above them.

Chiaki, a rather cute blonde, is dressed like Fumika: jacket, hat, short pleated skirt, but she has a scarf too. She jumps down from the tree limb. Yes, we can sort of see up her skirt. Woo? So Chiaki is the shigofumi carrier for this particular area of Japan. She has her own staff-thing, Matoma, who speaks in a calm, masculine voice. Have I mentioned that Kanaka sounds like a stupid teenage girl? Chiaki looks Fumika over and explains that shigofumi carriers are dead people, and thus they don’t change, but Fumika, Fumika, she’s growing. What exactly is going on here?

Enough of that. I want to see the tennis girls again, and I am happily obliged. Ran is having a tough practice, and taking it out on the younger girls. Later, back at their big group house, Nanae and Ran stand in the kitchen chopping up vegetables. Ran cuts her finger, and Nanae runs over and sucks the blood away. With something more than admiration. Then she asks who Tateishi Naoko is. Ran confesses that it’s her mother. Nanae thought that Ran’s mother had died a long time ago, but that’s obviously not true now, is it? Turns out Ran’s mother really had an affair and ran off over ten years ago. Ran hated her mother. Hated her even when the man she ran off with beat her up. That’s a powerful hate, but I know that some things can be unforgivable. At least, they can be unforgivable for a very long time.

Night falls, and Ran is alone in her room. The door opens and she excitedly turns toward it and cries, “Nanae.” But it’s only Fumika. She doesn’t say anything, only holds out the letter. Ran takes it and throws it in the trash. Kanaka is indignant. Ran says that she can do whatever she wants with the letter, and Fumika supports her. She leaves, and the shigofumi remains in the trash.

The next morning the girls are all running. Ran keeps having visions of her mother (I assume), and she trips on a rock and falls. Next thing we know she’s on a bed with her ankle wrapped up and an ice pack on it. Nanae is treating her, and she apologizes and holds out the shigofumi. Ran sits up and asks if she’s read it. Nanae asks Ran to read it herself. She will worry and wonder if she never does. Nanae puts the shigofumi into Ran’s hand and leans in close. She knows that Ran is scared, but she will always be with her. Their faces are just inches apart, and we’re suddenly looking outside, at trees, then at bottles of water on a shelf with light streaming through them, and I do believe that we have artfully sidled away from something much more than admiration between Ran and Nanae. I am reminded of Part One, Chapter 30 of Nabokov’s Lolita, where the Author leaves us at the moment of entanglement between Humbert and Dolores to contemplate an image Humbert might have once painted.
[1] This, my friends, is skillful ambiguity, and I tip my hat to the writers.

We see Nanae leave the building. Ran lies alone on her bunk with the shigofumi still in hand. She tosses it to the floor and mutters, “Nanae, you tease.” But what is the tease? The letter, or something more?

We see the bottles of water again. Turns out that the sunlight shining so prettily through them is being concentrated on one tiny point on a shirt, which starts to smoke.

At the tennis courts, the girls are practicing, until one of them sees the house on fire in the distance! Nanae looks on in horror.

The house is burning, quite right. Ran limps along the hallway, but flames and falling rafters are sort of getting in the way. In the distance, Fumika and Chiaki watch from a tree limb. Chiaki tells Fumika not to get involved. She looks slyly at Fumika and says that they are merely messengers, and it is a major violation to do anything more. Kanaka assures Chiaki that Fumika is merely ensuring that the shigofumi was delivered, but Fumika says nothing at all.

Ran manages to make it outside, but now she’s surrounded by billowing black smoke. She may die anyway, and tumbles to the ground. The shigofumi falls out of her hand. She reaches toward it, now wanting to see what’s written. She starts calling for her mother, and a statue in the courtyard stares down at her, in a very matronly way, and something like a tear runs down its cheek.

It’s not a real tear, of course. It’s a raindrop. A storm begins to douse the fire, and soak the shigofumi. A little farther away, the tennis team arrives. Nanae runs to find Ran, who is still prone on the courtyard floor. She looks at the letter and asks her mom not to leave. She has a vision of her mother, with another man, retreating into the distance, and we hear little Ran calling for her. In that tree, Chiaki asks Fumika if she caused the storm. Fumika says that it wasn’t her. Someone else did it. How kind of them. We see the matronly statue again. Fire alarms ring in the distance.

Flashbacks. Ran’s mother is talking, reading the shigofumi aloud. She’s sorry that she left, but Ran turned out well anyway. The woman talks about different matches that she went to watch (apparently without Ran ever knowing). She urges Ran to do her best. Now, Ran and Nanae lie on a rock over a creek. Ran talks about the letter, about how her mother went to see every single match of her daughter. Nanae asks Ran what kind of person her mother was. Ran, by way of answering, takes Nanae’s hand in her own and says, “A tease.”

[1] If you haven’t read Lolita, then go read it.